Domenica Ewald
About
My work listens to shorelines.
Shorelines that do not belong exclusively to one place or another, but emerge through meetings.
Places where bodies meet language,
where memory meets the present,
where movement becomes a way of listening,
where connection gently emerges.
I am interested in creating spaces of attention –
where what has always existed below the surface,
can slowly reach the shore.
Short Bio
Domenica Ewald is an interdisciplinary artist whose practice unfolds through movement, performance, painting, writing and participatory formats. Working across materiality, perception and embodied research, she explores how bodies encounter spaces, artworks, languages and one another.
Her work is guided by questions of connection: how embodied experience shapes our relationship to place, memory and belonging, and how artistic encounters can open spaces for attention, empathy and shared experience. Recent research explores fluidity, multilingual writing as an embodied practice, and the ways knowledge emerges through sensation before language.
Alongside her artistic practice, Domenica has developed work in collaboration with institutions including Museum Brandhorst, Lenbachhaus and the Pinakotheken, alongside theatre, educational and independent artistic contexts.
She holds an MA in Arts and Learning from Goldsmiths, University of London, and is currently completing an MFA in Creative Practice (Transdisciplinary) at Trinity Laban Conservatoire of Music and Dance.